Stories that Hurt, and Heal

Welcome to my corner of the page. Here, words aren’t just entertainment — they’re wounds and remedies, shadows and light. I write to break open the hidden places of the heart, and to remind us that even in the ache, there is beauty. Step inside, and discover tales that linger, challenge, and, above all, connect us.

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XAVIER’S PROGRESS

WOLVES OF IMPERIUM

Draft #4

JANUARY NOVEL

Draft #1

WORK OF THE HANDS ANTHOLGY

Final Tweaks

Every night the king walks…

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What is the meaning of Work?

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Remember, or the world will break again…

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"And Saln was the Lamb. The Lamb kept for the morning, and somehow—though it should be impossible—Saln would be the Imperium’s salvation. That truth felt wrong in Ruin’s bones, as the truth often did. And he knew the night ahead would ask for teeth. The Lamb would need his Wolf." - WOLVES OF IMPERIUM

"And Saln was the Lamb. The Lamb kept for the morning, and somehow—though it should be impossible—Saln would be the Imperium’s salvation. That truth felt wrong in Ruin’s bones, as the truth often did. And he knew the night ahead would ask for teeth. The Lamb would need his Wolf." - WOLVES OF IMPERIUM

"Each night he walks among his people, all clad in black, contrasting with the light of his passing. He is not vulnerable out of vanity. He is not vulnerable not to test our loyalty. But vulnerable to beg our rebellion, to call for some change in us the people of the night, of the Walking. Each step is a plea for us to take action. Each silent night is a curse to him, a bitter spoiled wine on his tongue." - THIS BLEEDING LIGHT

"Each night he walks among his people, all clad in black, contrasting with the light of his passing. He is not vulnerable out of vanity. He is not vulnerable not to test our loyalty. But vulnerable to beg our rebellion, to call for some change in us the people of the night, of the Walking. Each step is a plea for us to take action. Each silent night is a curse to him, a bitter spoiled wine on his tongue." - THIS BLEEDING LIGHT

“I am the second most powerful figure in my religion. I am the very avatar of a god. They call me the Dragon. And yet, I am mortal. Thus, I cannot have the salvation I profess to offer.” - Journals of the Dragon (Thirty days before Death) - WE DIE IN RED

“I am the second most powerful figure in my religion. I am the very avatar of a god. They call me the Dragon. And yet, I am mortal. Thus, I cannot have the salvation I profess to offer.” - Journals of the Dragon (Thirty days before Death) - WE DIE IN RED

Meet Xavier…

Xavier Schwindt is an author of epic fantasy and science fiction who explores themes of redemption and healing through immersive storytelling. Through Crownling Entertainment, he publishes his work and mentors emerging writers, bringing nearly 5,000 hours of dedicated craft study to stories that illuminate hope in darkness.

The Fall and the Adanin
Prologue

In the Beginning

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THORNBREAKER

IRONRIDER

GREENSONG

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    Meet the Characters

    Thaibult, Joren, Smith…

    Ruin

    Simmy

    FAQs

    Does Xavier Schwindt write explicit content?
    No. Xavier does not include graphic sexual content in his stories. While his worlds may contain mature struggles, he believes intimacy is best expressed through implication and emotional depth rather than explicit detail.

    How does Xavier handle violence in his books?
    Violence appears where it serves the story — especially in epic fantasy and science fiction, where conflict and war are often central. However, Xavier avoids gratuitous gore. The goal is to portray the weight and consequence of violence, not to glorify it.

    What about language and profanity?
    Xavier’s work avoids crude or offensive modern profanity. Instead, he creates world-specific language and curses that fit the cultures of his settings. This keeps immersion high while maintaining respect for readers who prefer clean language.

    Are Xavier’s stories “Christian fiction”?
    Not in the traditional sense. While Xavier’s personal faith informs his writing, his stories are not sermons in disguise. They are written to be accessible to all readers, exploring universal themes of redemption, hope, and healing through the lens of epic storytelling.

    What age group are these books for?
    Xavier’s books are primarily aimed at young adults and mature 12- or 13-year-olds and above. They are aimed at teenagers and adults. They explore complex themes and may include intense scenes of conflict, but these are always crafted with purpose and restraint. While younger readers may enjoy them, parents should consider the maturity of each story.

    What kind of reader will enjoy these books most?
    Readers who love immersive worlds, mythic storytelling, and characters who wrestle with both darkness and hope will find themselves at home. Xavier’s stories are written for those who crave not just adventure, but meaning woven into the journey.